Another variation is the introduction and growth of pocket scrapbooking, most well known and represented by Project Life created and introduced by Becky Higgins. Higgins created the system in response to her personal desire to continue record the lives of her children and family, but in a quicker, more simple way that allowed her the flexibility to complete the project, but still in an attractive, cohesive way.
The most important scrapbooking supply is the album itself, which can be permanently bound, or allow for the insertion of pages. There are other formats such as mini albums and accordion-style fold-out albums. Some of these are adhered to various containers, such as matchbooks, CD cases, or other small holders. When scrap artists started moving away from the "page" and onto alternative surfaces and objectives, they termed these creations "altered items" or now simply called "off-the-page". This movement circles back to the history of art from the 1960s when Louise Nevelson was doing "Assemblages" with found objects and recycled parts.
Jump up ^ Jarvik, Elaine (1997-04-23). "Memories & mementos". Deseret News. p. C1. [P]eople trace scrapbooking's early beginnings to Marielen Christensen, a Spanish Fork homemaker who began in the mid-1970s to research ways to better preserve family records and memories. ... When Christensen discovered sources for more durable materials and acid-free papers and glues, she began to spread the word, first at the World Conference on Records in 1980 in Salt Lake City and later at BYU Education Week. In 1981, the Christensens (who by then had made more than 50 scrapbooks for their own family) wrote a how-to book and started a mail-order business, Keeping Memories Alive, to sell archival supplies.
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During the 19th century, scrapbooking was seen as a more involved way to preserve one’s experiences than journaling or other writing-based forms of logging. Printed material such as cheap newspapers, visiting cards, playbills, and pamphlets circulated widely during the 19th century and often became the primary components of peoples’ scrapbooks. The growing volume of ephemera of this kind, parallel to the growth of industrialized society, created a demand for methods of cataloguing and preserving them. This is why scrapbooks devoted solely to cataloguing recipes, coupons, or other lists were also common during this time. Until later in the 19th century, scrapbooks were seen as functional as well as aesthetically pleasing. Several factors, including marketing strategies and technological advancement, contributed to the image of scrapbooking moving further toward the aesthetic plane over the years.