Marielen Wadley Christensen (pronounced as the names "Mary Ellen"), of Elk Ridge, Utah, United States (formerly of Spanish Fork, Utah) is credited with turning scrapbooking from what was once just the ages-old hobby into the actual industry containing businesses devoted specifically to the manufacturing and sale of scrapbooking supplies. She began designing creative pages for her family's photo memories, inserting the completed pages into sheet protectors collected in 3-ring binders. By 1980, she had assembled over fifty volumes and was invited to display them at the World Conference on Records in Salt Lake City. In 1981 Marielen and her husband Anthony Jay ("A.J.") authored and published a how-to booklet, Keeping Memories Alive, and opened a scrapbook store in Spanish Fork that ended up with the same name, that remains open today.
Just like old memories, scrapbook pages often benefit from a few embellishments. There's endless array of arts and crafts decorations available to add spice and pizazz to your journaling. Your options include ribbons, glitter, 3D stickers, and self-adhesive chipboard pieces featuring words or phrases relevant to your theme. In keeping with your personal style and the type of scrapbook you're creating, you can mix and match multiple embellishments to add flair to your story and make your pages pop.
The scrapbooking industry doubled in size between 2001 and 2004 to $2.5 billion with over 1,600 companies creating scrapbooking products by 2003. Creative Memories, a home-based retailer of scrapbooking supplies founded in 1987, saw $425 million in retail sales in 2004. Creative Memories' parent company did file Chapter 11 in 2013 and became the bankruptcy with the largest debt in the Twin City area.
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Jump up ^ Jarvik, Elaine (1997-04-23). "Memories & mementos". Deseret News. p. C1. [P]eople trace scrapbooking's early beginnings to Marielen Christensen, a Spanish Fork homemaker who began in the mid-1970s to research ways to better preserve family records and memories. ... When Christensen discovered sources for more durable materials and acid-free papers and glues, she began to spread the word, first at the World Conference on Records in 1980 in Salt Lake City and later at BYU Education Week. In 1981, the Christensens (who by then had made more than 50 scrapbooks for their own family) wrote a how-to book and started a mail-order business, Keeping Memories Alive, to sell archival supplies.
During the 19th century, scrapbooking was seen as a more involved way to preserve one’s experiences than journaling or other writing-based forms of logging. Printed material such as cheap newspapers, visiting cards, playbills, and pamphlets circulated widely during the 19th century and often became the primary components of peoples’ scrapbooks. The growing volume of ephemera of this kind, parallel to the growth of industrialized society, created a demand for methods of cataloguing and preserving them. This is why scrapbooks devoted solely to cataloguing recipes, coupons, or other lists were also common during this time. Until later in the 19th century, scrapbooks were seen as functional as well as aesthetically pleasing. Several factors, including marketing strategies and technological advancement, contributed to the image of scrapbooking moving further toward the aesthetic plane over the years.