Adhesives are literally the glue that keeps your project together. Your options include glue sticks, tape runner, rubber cement, and glue dots. Rubber cement is recommended for bulky, uneven decorations that standard glue can’t quite stick. Non-permanent adhesives are helpful for readjusting photos or patterned paper. For inevitable mistakes, thankfully there’s adhesive remover. Using quality, archival-safe glues will help your masterpiece stay together for years to come. 
Old scrapbooks tended to have photos mounted with photomounting corners and perhaps notations of who was in a photo or where and when it was taken. They often included bits of memorabilia like newspaper clippings, letters, etc. An early known American scrapbooker and inventor of scrapbooking supplies was Mark Twain. Twain carried scrapbooks on his travels as he collected souvenirs, clippings and pictures.[8][9][10]

One of the key components of modern scrapbooking is the archival quality of the supplies. Designed to preserve photographs and journaling in their original state, materials encouraged by most serious scrapbookers are of a higher quality than those of many typical photo albums commercially available. Scrappers insist on acid-free, lignin-free papers, stamp ink, and embossing powder. They also use pigment-based inks, which are fade resistant, colorfast, and often waterproof. Many scrappers use buffered paper, which will protect photos from acid in memorabilia used in the scrapbook. Older "magnetic" albums are not acid-free and thus cause damage to the photos and memorabilia included in them. Gloves, too, are used to protect photos from the oil on hands.[23]

The advent of modern photography began with the first permanent photograph created by Joseph Nicéphore Niépce in 1826.[7] This allowed the average person to begin to incorporate photographs into their scrapbooks. However, books or albums made specifically for showcasing photographs alone were not popularized in the United States until closer to 1860. Before that point, photographs were not thought of as items to be reproduced and shared. Demand for photo albums was spurred on in large part by the growing popularity of the carte de visite, a small photograph distributed in the same manner one might a visiting card.[6]

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